Pipe to the Spirit Ditties of No Tone
From The Tucson Citizen
March 28, 2006
Two men to be tried for defacing Mozart statue in Salzburg
The Associated Press
VIENNA, Austria - Two men who painted part of an avant-garde sculpture of Mozart and stuck feathers on it because they considered it pornographic will be tried on vandalism charges, authorities said Tuesday.
Officials identified one of the men as Martin Humer, 80, a former photographer who has gained notoriety in Austria as a self-proclaimed "porn hunter." Police identified the other man as a 79-year-old.
The public prosecutor's office in Salzburg, where Wolfgang Amadeus Mozart was born, said the pair painted part of the "Homage to Mozart" sculpture on Salzburg's Ursulinenplatz with red-and-green enamel and stuck white feathers on it last August.
Prosecutors estimated damage to the work by German artist Markus Luepertz at about $8,125, although the Salzburg Foundation claimed losses of $42,000. There was no immediate explanation for the discrepancy.
The sculpture, which depicts Mozart in the nude, "has nothing to do with art and is a kind of pornography," Humer told reporters.
A court date wasn't immediately set. Austria is holding a yearlong celebration to mark the 250th anniversary of Mozart's birth.
Here is the statue before (or maybe after cleaning).
And here it is with its white painted face CathyG .)
Unfortunately I can't find an image of it with its feathers, but I say... It amazes me that the two self styled "Pornhunters" are octogenarians and the perpetrators of what they call a "Papageno assault". (In reference the the feathered bird collector in Mozart's opera The Magic Flute).
Humer according to Salzburg@orf.at justifies his actions in this way
Die Statue sei "auch eine Art der Pornografie", .... "Denn am Ende Mozart so darzustellen ist eine Abscheulichkeit. Das kann nur ein Psychopath machen. Solche Psychopathen sind auch in anderen Bereichen zu finden."
"Hat ja keinen Wert"
Mit der "Freiheit der Kunst, Menschen herabzusetzen", könne er "überhaupt nichts anfangen", ergänzte Humer, "Was Mozart herabwürdigt, hat nichts mit Kunst zu tun."
Dass er mit der Aktion fremdes Eigentum beschädigt, stört den Pornojäger nicht: "Das hat ja keinen Wert."
Translated this means:
"The staute is a kind of pornography,... Because ultimately to portray Mozart in this way is an abomination, Only a psychopath could do such a thing. These psychopaths can be found in other areas."
"It's worthless. Putting down people in the name of artistic license is beyond me," added Humer. "Anything that denigrates Mozart has nothing to do with art." The fact that he damaged someone else's property, the article continues, does not bother him. "It's meaningless (worthless)," he said.
On the one hand (as dispicable as his opinion is), I have to applaud Humer for making public art an area of controversy and discussion - I believe we need more guerrilla art in the world and more acts that provoke public controversy and enngagement. On the other hand, of course, his act represents an extreme form of prudery and narrowmindedness. To believe that art must be beautiful, that it cannot criticize or that the human form is pornographic (in my mind) is the height of psychopathology. To think of the monstrous beauty of Picasso's "Guernica" and the idea someone might ever consider defacing it because it is not beautiful, because it shows nakedness and rape, because it is disturbing or a political statement with which s/he might disagree brings me to tears.
I conclude with the last lines of Keats' Ode on a Grecian Urn.
'Beauty is truth, truth beauty,—that is all
Ye know on earth, and all ye need to know.'
Or perhaps that is all I need to know.
Update:
I had a chance to actually visit this statue in September. I only saw it at night, but here it is in its current state:
Personally I do like it better without the painted face.
12 comments:
I guess I just believe in freedom of expression without destruction. Humer should be able to "say" whatever he likes. But to allow one man to define "Art" and take action against it is ridiculous.
I agree, the destructive nature of the act is disturbing.
But it's an interesting thing, as you point out: does the age of the perpetrator of vandalism lend itself to this particular idiom of guerilla warfare?
It's almost a performance piece---(all that would have made it completely so was for him to have been the maker of the statue, or to have had maker's consent)---a contrast to his age, one would think, this performance...
Truth is beauty, and beauty is truth, an apt construct in this instance.
Unfortunately, though, one man's trash is another man's treasure: and therefore, one man's truth to another man might be anything but beautiful.
It's a tight-rope walk; it's not surprising to me in the least that some people falter and sometimes fall off the wire.
My concern is our ability to facilitate the getting back up, and walking that fine line without losing one's cool.
How can we help each other to do that?
That's what's speaking most to me in this case...
And on a lighter note, I once set off an alarm at the National Gallery; I was casting hand shadow puppets on a Rauschenberg---you know, the one all-white with tire-trackings?---and I got too close to the painting. Alarms went off and a very stern man told me to back off.
It was embarrasing yet enjoyable.
Neroli - I think I wil have to write a second blog to respond to so much thought provoking material. Certainly you ae right abou the issue of truth. The truth of Guernica was certainly different for Picasso thanit was for the governmental anti-Basque forces so I would read theKeats on a personal/subcultural rather than universal level. I have to think of the age of the preptrators as part of the performance and the issue of permission is interesting. If art is a gift to the public, then should one be at peace with whatever thepublic decides to do with it? Clearly public burning of art would suggest not, but these days so many people work with ephemeral art that this might be seen as part of the process. Clearly in this case the artist did not give permission and the City is also unhappy about what has happenbed to "their" sculpture. Thank goodness we can fall off the wire. How would we distinguish our truths and beauty if there were no place to fall. That is the dull death of relativism and the song that everything everyone creates is art.
...whatever Neroli said...
plus, I sat down on the steps at the Metropolitan Musuem of Art for just a second to find my keys in my purse, and I thought Miss Lady Security Person was going to arrest me. So, then I pulled out my cell phone...and ran.
Seriously, I don't like to see anything defaced.
It's unbelievable how sick some people are. It's really hard to swallow.
Swampy and Corky,
Yes I agree completely, but this statue was very unpopular in Salzburg when it went up because it portrays Mozart as a nude woman with a white painted face and pigtail (It is called Hommage to Mozart). It is also created by a German artist and some Austrians resent the artist, Lüpertz' cooption of THEIR heroic figure.
ok thats a conraversy isn't it?
i hate to see people destryo stuff but at the same time can understnad why he finds it insulting
there are much better ways to go about protesting things, rather then deface
He wanted to show his dislike for the art and that's his choice after all art should stir emotions and get a reaction. The only thing I would say is, why deface the statue? its not his work. He could have made his own tribute.It's the same as graffiti art, when its done in the right place i.e not on private or public property without permission. otherwise its just vanderlisum and an ego trip.
Hello everyone! I do not know where to start but hope this place will be useful for me.
In first steps it is very nice if someone supports you, so hope to meet friendly and helpful people here. Let me know if I can help you.
Thanks in advance and good luck! :)
In this beautiful noble city, which is basically a museum all by itself, and a shrine to Mozart, this type of disfigurement of a home town hero has no place. Plenty of people protested but the art still went up. They thought maybe it is just a phase, but no, it's been standing in the same spot for years now. I can see that people get frustrated and want to take things into their own hands.
I actually had a chance to visit the statue a few months ago. (Only at night, but it is sort of interesting, I think. Salzburg is indeed a noble city, but I hope there is room for a variety of approaches and opinions. I doubt Mozart would hve liked the image, but then again he might have foundit amusing and in keeping with Masonic values of opposites meeting as a coincidentia oppositorum
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